Sometimes I get so involved in the setting of a story, in atmosphere, that the place becomes a main character. I try to curb the tendency and not detract from my hero and heroine, and yet…I enjoy reading books that develop the setting, using rich detail and ambiance to strengthen the plot and convey backstory.
The balance between setting as character and setting as, well…the
backdrop against which my characters act, is a narrow crossing–at least
In my very first short story, Cup of Fate, I wanted the farmhouse and the fantastical
woods with their trees that bleed silver to come alive for the reader
and become more than a simple location for dialogue and action, but a
living, breathing persona.
Those trees in the silverwood were more than a mere forest, more than
organic–they were sentient on a level we humans could not perceive.
They were a conduit for communication between our world and the
alternate reality or alterrealm of Lugh’s world.
Being an erotic romance writer doesn’t mean skipping depth of plot or
setting in order to get to the “good” stuff–the sex. To my way of
thinking the entire book, including all the bits between the sex scenes,
should be “good stuff” as well.
What do you think? When you read erotic romance, do you skip to get
to the “good” parts, or do you linger over the story like one would a
I think the mark of a good writer is the ability to lead the reader
on a wonderful journey and to engage their imagination, and heighten all
their senses. I know that is what I want when I read a book. I want to
disappear in the writer’s imagery, in the world they’ve created just
I know that I want my readers to feel that same sense of excitement and surprise before the journey’s end and I strive for it with every story I write.